Digital Book World Recap

Digital Book World 2012 marked our third visit to the conference and our second time with a booth and a banner and a strong company presence. We spoke on panels, live demoed the platform twice (creating a styled eBook in just over five minutes), and had the usual variety of encouraging meetings, new connections and oddball observations—most notably the impressive quality of distribution company representative’s side projects. I’ve long had Scott Simpson’s Twitter stream and blog bookmarked, this year I learned Kobo’s Mark Lefebvre is working on a werewolf-in-New York novel, appropriately titled A Canadian Werewolf in New York.

Interestingly, this year I found myself most engaged when learning about projects like Mark’s or discussing what people were doing creatively, like seeing Michael Fabiano and Peter Costanzo fresh from the NBC Publishing announcement, or stopping conversion company reps to look at their sample ePub 3 files. Walking the vendor hall or peeking in on panels, I got the sense that the technology for content creation is falling into place. The tools exist, the ways to create digital books and create them at scale. What we need now is the will to put those tools to use and start producing new titles and new experiences (hats off to NBC here).

I’m reading the David Foster Wallace road-trip/bio Although Of Course You End Up Becoming Yourself, and it resonated with my experience at Digital Book World. The conference is a place where bookish tech people and techish book people learn about new platforms and files and metadata tactics. But ultimately we’re all going to end up being ourselves, and those selves are in most cases people who like books. And what we want, what gets us, is new experiences—the mental pyrotechnics the technology is making easier to deliver.

This year’s DBW drove home that  the tools exist—including ours. Last year I heard everyone talking about “experimenting,” I didn’t hear that phrase so much this year. People know digital books work. Now’s the time to make more and better books—better styled books, better formatted books, better looking books, unexpected books and books from unexpected sources.

Next year? It’s all going to be about marketing.

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